Narrator

Use a narrator if you think this suits the piece - I strongly advise using a narrator.

Redraft the script to include a narrator, perhaps. Experiment with this technique.

 This gives a double view of events. The NARRATOR relates directly to the listener ('you' - the directness of radio). The microphone can dive into the mind in a way that the film camera cannot. Close-up and personal.
 ALL-KNOWING NARRATOR ('THE VOICE OF GOD') - ironic Narrator, understanding all, including the outcome and characters' fates
NARRATOR AS MAIN CHARACTER ('DEAR DIARY' TYPE - LIMITED KNOWLEDGE) TIME REVERSAL - looking back at these transforming experiences. Listen out for radio plays where the main character speaks directly to the listeners in 'Dear Diary' sort of intercut scenes.
 STRUCTURE - NARRATOR in PROLOGUE and intercut scenes (STORY), with NARRATOR FINALE
 PRODUCTION - Narrator must be in a different acoustic - defines narrator's space in the sound picture - gives contrast to your overall design.
 PRODUCTION - NARRATOR usually POSITION ONE - Interiorizing - the voice in the mind - (technique) POSITION ONE - fully private and subjective - telling secrets
 Think of first-person short stories and novels, and especially films. First person narrative (Wikipedia)

 More on types of narrator (academic)

If there is a narrator of the story, and so the play moves back and forth between two levels (a primary or extradiegetic narrator), the narrator is either an all-knowing, omniscient narrator (an 'author' narrator) or a fictional character who also appears in her or his own story ('first-person' narrator).

Examples: the all-knowing narrator in an adaptation of a novel, as the editorial voice of Dickens, Thackery, Trollope ('author' narrator); and the 'Dear Diary' narrator so often successful in R4 afternoon plays ('first-person' narrator).

The radio play may sometimes open, as does many a fictional film, with a narrator whose words lead us to believe that they are the source of all we hear.

See Adaptations for some suggested texts.

Note protagonist-dominated structure.

Naming of a character to let the listener know who is who and to avoid confusion

 CONTINUING THROUGH THE SITE:        closure (ending)

Structuring the plot

    closure (ending)

   use a 'mystery'

 Realism
   

 To index

 

 

 

 

 

This site is 'Radio Drama - directing, acting, technical, learning & teaching, researching, styles, genres'. See INDEX to navigate also.  Complete curriculum of scripts, techniques (acting & directing & post-production & genre styles), advice, sound files - effects and atmoses (with no copyright and so free to use), detailed script commentaries, etc.

TECHNIQUES - FULL RANGE OF RADIO DRAMA TECHNIQUES ON THESE SITES

Academic material on this site is Creative Commons License Alan Beck is licensed under a Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales License.

Learn about radio drama on this site along with my book - Beck, Alan, Radio Acting, London: A & C Black ISBN 0-7136-4631-4 Available on Amazon. CLICK HERE.

To the WELCOME PAGE for Alan Beck's sites. See more of Alan Beck's work.

Disclaimer

Any opinions expressed in this site are the personal opinions of the owner of the site. IF YOU HAVE COMMENTS, PLEASE EMAIL TO : [email protected]

 

 

Check here for narrator and related to radio
File moved by Go FTP FREE Software