Stop-And-Start acting on stage
Not being 'in'. Looking blank. Looking unfocused.
| Beware of acting in fits and starts. There are blanks in your performance. |
| There is a danger that your energy does not flow from beat to beat. In the blanks, you let all the interest go down the plughole. |
| How to avoid this? You have to keep 'in'. You have to keep your energy up. |
| You have to follow your objectives and work on your transitions. |
| This applies especially to high-energy performances as farce. |
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This site gives advice about: 'ACTING 101' - FIRST YEAR OF ACTING TRAINING
You have experience of acting in school or pre-university courses? Here is advice for a college or university acting course. Or for an acting school.
This 'ACTING 101' course plan aims at achievable results for a wide range of students.
| ADVICE FROM ALAN BECK - FIRST STEPS TO ACTING TRAINING |
| 'ACTING 101' - FIRST YEAR ACTING TRAINING |
| ONSTAGE |
| BEFORE THE PERFORMANCE BEGINS - REHEARSAL AND PREPARATION |
| To LEGAL DISCLAIMER FOR THIS SITE |
LINKS WITH OTHER SITE
Radio Drama - directing, acting, technical, learning & teaching, researching, styles, genres
This is a complete curriculum of scripts, techniques, advice, sound files - effects and atmoses (with no copyright and so free to use), detailed script commentaries, etc. -
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This site's address: http://www.savoyhill.co.uk/actor/index.html