Stop-And-Start acting on stage
Not being 'in'. Looking blank. Looking unfocused.
Beware of acting in fits and starts. There are blanks in your performance. There is a danger that your energy does not flow from beat to beat. In the blanks, you let all the interest go down the plughole. How to avoid this? You have to keep 'in'. You have to keep your energy up. You have to follow your objectives and work on your transitions. This applies especially to high-energy performances as farce.
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This site gives advice about: 'ACTING 101' - FIRST YEAR OF ACTING TRAINING
You have experience of acting in school or pre-university courses? Here is advice for a college or university acting course. Or for an acting school.
This 'ACTING 101' course plan aims at achievable results for a wide range of students.
ADVICE FROM ALAN BECK - FIRST STEPS TO ACTING TRAINING
'ACTING 101' - FIRST YEAR ACTING TRAINING
BEFORE THE PERFORMANCE BEGINS - REHEARSAL AND PREPARATION
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Radio Drama - directing, acting, technical, learning & teaching, researching, styles, genres
This is a complete curriculum of scripts, techniques, advice, sound files - effects and atmoses (with no copyright and so free to use), detailed script commentaries, etc. -
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